art
byWitold Fitz-Simon
Sequencing a practice is a subtle art with manydifferent approaches. The most generaland well-rounded way is to approach it from an energetic perspective.
Standing poses are usually introduced first tothe new student. No matter howstiff you are, they give you a chance to open up the legs, hips and lower backwith more control than seated poses and forward bends.
Surya Namaskar, or the Sun Salutation, is a wayof linking several poses together in a smoothly flowing sequence.
These are perhaps the original yoga poses, theÒasanaÓ that Pata–jali refers to in his Yoga Sutras. Just as Tadasana (Mountain Pose) is the foundation of allstanding poses, it is in the seated poses that we find the foundation of allthe forward extensions. Here welook for the calm, steady base necessary for meditative practices.
I prefer to think of these as ÒextensionsÓrather than Òbends.Ó Extension ofthe trunk is essential to the effective practice of these poses.
At first consideration, it would seem that theseposes primarily target the hips. This they most certainly do, but at the same time they get deep into thepelvis, lengthening and balancing the core muscles. Energetically speaking, they are balancing poses.
This small group of asanas are often thought ofas "abdominal" poses. Itwould be fairer to say that they are full body poses. Certainly, at the outset, you may feel their effects in thelower abdominals, thighs and hip flexors, but the challenge is to engage thewhole body to distribute the effort evenly throughout the frame.
By "Arm Balance" I am referring tosuch poses as Bakasana (Crow Pose) or Tittibhasana (Firefly Pose).
These revolved poses start to take you deeperinto the trunk. The twistingaction has a two-pronged effect of toning and massaging the internal organs,promoting improved functioning of the gastrointestinal system and bloodcirculation in the viscera, as well as accessing the deeper muscles of thetrunk which will be used in backward extensions and inversions.
Powerful and exhilarating, these poses need tobe approached with care. Just aswith forward extensions, Òback bendÓ is perhaps not the best way to describethem. In none of them are you, in fact,asking the back to bend. Moreappropriate would be to say that you were asking the back to arch so that eachsegment of back and spine contributes evenly to the pose.
Inversions are thought to have the most powerfuleffect on the body of all the poses. The nectar of immortality is said to be housed in the skull where itdrips down steadily to be consumed in the fires of the belly.
These balancing and settling poses can be throwninto a practice pretty much anywhere: at the beginning as a nice transitioninto a contemplative frame of mind after a hectic day or a nightÕs sleep; inthe middle as a transition from one set of poses to another, at the end as aperiod of integration after the work youÕve done. You donÕt even have to get involved in a full practice toenjoy these poses. I will oftenset myself up in a simple restorative pose between classes to center myself andgather myself up for the rest of my day.
It is extremely important not to neglect therestorative poses, as they give the both the physical body and the subtle bodya chance to recover. Women inparticular need to avoid practicing inversions and focus on restorative posesduring their menstrual period. And, even though men do not have the monthly physiological changes ofthe female menstrual cycle, they also ought to allow themselves regular periodsof an exclusively restorative practice that does include inversions to helpregulate their hormonal balance.
Shavasana (Corpse Pose)
Thisis, unquestionably, the one pose that does make a yoga practice.
Think of this as an extremely general guide thatshould be altered according to your mood and energy:
1) CENTER your mind and body with a few moments in a seated pose.
2) ACTIVATEthe body gently or BALANCE/SETTLE the body if anxious, stressed or over-workedwith simple poses.
3) ACTIVATE the body further with standing poses and/or backwardextensions.
4) SETTLE the body and mind with seated poses, inversions or twists.
5) BALANCE the body with forward extensions, twists or restorative poses.
6) SETTLE the body and mind further with deep relaxation.
©2006 Witold Fitz-Simon.
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