Practice Lab

Pasted Graphic
At the studio in Brooklyn two of the teachers (Eve Holbrook and Jen Kagan) are teaching a series of workshops of sequences that they were taught in RIMYI, the Iyengar center in Pune, by Geeta Iyengar. I have yet to make it to them, but Kristen has and she’s been wowed by Geeta’s sequencing. So she had the idea of us doing a sequence from Geeta’s book “Yoga: A Gem for Women.”

“Gem” is a tough book to read. It’s full of great information, but it is really badly laid out, which is a shame. Published in 1990, it has tips and sequences that are useful not just to women. Her sequencing is extremely interesting and unconventional, by the standards of what is thought acceptable in the Iyengar community at large. In the sequence that Kristen and I practiced (reproduced below from p.112 of the 2002 Timeless Books edition) Head Stand is this first thing you do, without a warm-up, and you do twists, ropes and back bends after Shoulder Stand. All of these things would be considered no-no’s in a class taught in the West these days. And this sequence is part of what she calls the “Elementary Course.”

Geeta is, however Mr. Iyengar’s successor and what she says, goes. I find it interesting how there is a constant discrepancy between the way things are supposed to be done and the way senior teachers and the Iyengars themselves actually do things. Iyengar yoga is increasingly presented as this rigid, militaristic practice in the West, when the truth is there is still a great amount of playfulness in the way it is taught in India. [There are, of course, horror stories of aggressive and damaging behavior from senior teachers that filter back from Pune, so let us not paint too rosy a picture of the mothership.]

Try this sequence out and see how you feel afterwards. I’m writing this the morning after the practice. My back is sore, in a good way, and I had an excellent and refreshing night’s sleep. There’s definitely something in this way she is sequencing that makes me want to explore it more.

The Sequence

Salamba Shirshasana 1 (Head Stand 1)

Utthita Trikonasana (Extended Triangle Pose)

Utthita Parshvakonasana (Extended Side Angle Pose)

Virabhadrasana 1 (Warrior Pose 1)

Virabhadrasana 2 (Warrior Pose 2)

Parivrtta Trikonasana (Revolved Triangle Pose)

Parshvottanasana (Intense Side Stretch Pose)

Prasarita Padottanasana 1 (Wide Spread Feet Pose 1)

Uttanasana (Intense Stretch Pose)

Adho Mukha Shvanasana (Downward Facing Dog Pose)

Utthita Hasta Padangusthasana 1 (Extended Hand to Big Toe Pose 1)

Utthita Hasta Padangusthasana 2 (Extended Hand to Big Toe Pose 2)

Urdhva Mukha Shvanasana (Upward Facing Dog Pose)

Virasana (Hero Pose)

Salamba Sarvangasana 1 (Shoulder Stand 1)

Halasana (Plough Pose)
• Toes on a chair.

Ardha Halasana (Half Plough Pose)

Baddha Konasana (Bound Angle Pose) seated portion only

Bharadwajasana 1 (Bharadwaja’s Pose 1)

Bharadwajasana 2 (Bharadwaja’s Pose 2)

Ardha Matsyendrasana 1 (Half Lord of the Fishes Pose 1)

Shalabhasana (Locust Pose) on the ropes (She calls this Yoga Kurunta I)
• Leaning forward holding onto the ropes with the feet away from the wall.

Bhujangasana (Cobra Pose) on the ropes (She calls this Yoga Kurunta 2)
• Leaning forward holding onto the ropes with the feet at the wall.

Viparita Dandasana (Inverted Staff Pose) over a chair
• She presents it over a bench so that the body is horizontal. We used 2 chairs.
• Reach the arms through the front chair legs to grab the back chair legs.

Viparita Dandasana (Inverted Staff Pose) over a chair
• Still on the two chairs, slide off until you can get your head and arms to the floor in the classic set-up.

Setu Bandha Sarvangasana (Bridge Pose in Shoulder Stand)
• This first variation is presented with the hands on the back as in Sarvangasana the hips and legs horizontal and the feet pressing against a bench at the wall. We just used the wall.

Setu Bandha Sarvangasana (Bridge Pose in Shoulder Stand)
• This second variation is presented lying over a high Setu Bandha Bench so that only the pelvis is on the bench. We used two chairs and bolsters under the shoulders. IO found this really hard on the sacrum and had to come out of it pretty quickly, though Kristen didn’t have a problem

Shavasana (Corpse Pose)


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Intermediate Group Class

Marichi's Pose 6 or F
Developing the theme of working with latissimus dorsi and pectoralis major, in this practice we are going to look at twists. If you remember from previous practices, the lats continue through the back of the armpit to the upper arm bone, just as the pecs continue through the front of the armpit attaching right next to the lats on the bone. We will be taking our twists from these two muscle groups, so that means we need to take the armpit into consideration as well as we turn. In addition, the whole lumbar/sacral area tends to get a bit thick and fibrous. We need to ensure that the lat fibers widen and move towards the head in a uniform manner, rather than getting stuck and crunched in that area.

Consider the following actions as you go through the poses:
  • Soften and widen the palms, the pecs and the lats.
  • Think of the inner and outer armpits as four pillars of connection and support of the arms into the trunk. Distribute the weight and/or stretch evenly between each of the four pillars of the armpits.
  • Soften and widen the deltoid (the shoulder cap muscle), wrapping it around the shoulder joint.
  • Hollow out the armpit deep into the joint.
  • Stretch the apex of the armpit, where the lat and the pec come together, towards the palms as you either take the sternum towards or away from the head, depending on the pose. Generally, when the arms are overhead move the sternum away from the head. When they are in front of you, move them towards the head. When the arms are clasped behind the back, widen the sternum and move it deeper into the body.
  • Initiate twists in the lat--the left lat, for example, when turning to the right-- and complete the thought by widening the opposite--the right when turning to the right--pec.
  • Complete the twist by firming the back of the left armpit (when turning right) and moving it across the body, while widening the front of the right armpit.

The Sequence

Shoulder Stretch at wall: Place the forearms and elbows on the wall with the palms together. Make a right angle at the hips with the feet under the pelvis hip width apart. Draw the inner thighs back and reach the arms forward.

Utkatasana (Furious Pose)
• Do the pose with a block between the thighs.
• Set yourself up close to a wall so that you can place your elbows and forearms on the wall without leaning forward any more than you would normally be in the pose.

Parivrtta Hasta Padangusthasana (Revolved Hand to Big Toe Pose) with the raised foot on a ledge

Adho Mukha Shvanasana (Downward Facing Dog Pose)
• Have the hands up on blocks set to the lowest level. You might want to set yourself up with the blocks against a wall and the mat folded over the blocks if you find yourself slipping.

Adho Mukha Shvanasana (Downward Facing Dog Pose)
• Have the feet up on the lowest level blocks.

Adho Mukha Shvanasana (Downward Facing Dog Pose)
• Hands on the blocks turned up one level.

Adho Mukha Shvanasana (Downward Facing Dog Pose)
• Feet on the blocks turned up one level.

Adho Mukha Shvanasana (Downward Facing Dog Pose)
• Hands on the blocks turned up to the highest level.

Adho Mukha Shvanasana (Downward Facing Dog Pose)
• Feet on the blocks turned up to the highest level.

Uttanasana (Intense West Stretch Pose) with the feet apart
• Have the hands flat on the floor on either side of the feet. If you are unable to get the whole of the hand down, put blocks underneath.

Parshvottanasana (Intense Side Stretch Pose) with the hands on blocks
• Two stages: first the hands under the shoulders; second the arms alongside the ears.

Adho Mukha Vrkshasana (Hand Stand)

Adho Mukha Vrkshasana (Hand Stand) with the hands on blocks

Bharadwajasana 2 (Bharadwaja’s Pose 2)
• Simple variation with the Padmasana (Lotus Pose) leg in Baddha Konasana (Bound Angle Pose) against the inner thigh of the opposite leg instead. Bind with a belt around the foot.

Parivrtta Trikonasana (Revolved Triangle Pose)
• Have the hand that is on the floor flat on a block turned up as high as you like.

Bharadwajasana 2 (Bharadwaja’s Pose 2)
• Either the full variation, if possible, or some other modification as necessary.

Parivrtta Trikonasana (Revolved Triangle Pose)
• Have the hand that is on the floor flat on a block turned up as high as you like.

Adho Mukha Shvanasana (Downward Facing Dog Pose)

Salamba Shirshasana 1 (Head Stand 1)
Baddha Konasana (Bound Angle Pose) in Head Stand
Upavishtha Konasana (Seated Angle Pose) in Head Stand

Adho Mukha Shvanasana (Downward Facing Dog Pose)

Supta Padangusthasana 2 (Reclined Big Toe Pose 2)
• Support the thigh with a block, bolster or blankets.

Baddha Konasana (Bound Angle Pose)
• Back against the wall, sitting up on blankets as necessary to get the sitting bones underneath you.
• Place a narrow-folded blanket behind the lower back.
• Spend half the time with arms down by the sides, then raise the arms overhead.

Baddha Konasana (Bound Angle Pose)
• Back against the wall, sitting up on blankets as necessary to get the sitting bones underneath you.
• Remove the blanket in the back and place a block between the feet.
• Spend half the time with arms down by the sides, then raise the arms overhead.

Baddha Konasana (Bound Angle Pose)
• Back against the wall, sitting up on blankets as necessary to get the sitting bones underneath you.
• Place the block under the feet.
• Spend half the time with arms down by the sides, then raise the arms overhead.

Utthita Marichyasana (Extended Marichi’s Pose) variation
• Bind the arms as if twisting away from the bent leg in Marichyasana 1 (Marichi’s Pose 1).

Utthita Marichyasana (Extended Marichi’s Pose)

Marichyasana 5 (Marichi’s Pose 5) twist only
• Bind the arms and twist away from the raised knee.

Marichyasana 6 (Marichi’s Pose 6)
• Two stages: first with the elbow to the outer knee; second binding the arms, using a belt if necessary.

Chatushpadasana (Four Feet Pose)

Reclined ankle-to-knee glute stretch

Chatushpadasana (Four Feet Pose)

Supta Padangusthasana 2 (Reclined Big Toe Pose 2)

Chatushpadasana (Four Feet Pose)

Viparita Karani (Upside Down Pose)
• 5 to 10 min.

Shavasana (Corpse Pose)
• 5 to 10 min.


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Level 1 Group Class

Elbows Clasped Behind the Back
All Fours INTO Child’s Pose
• Keep the palms firmly sealed into the mat.

All Fours INTO Plank Pose INTO Adho Mukha Shvanasana (Downward Facing Dog Pose)
• Keep the palms firmly sealed into the mat.

Vajrasana (Thunderbolt Pose) with the elbows clasped behind the back
• Have a blanket behind the knees.
• Both crossings of the arms.

All Fours INTO Plank Pose INTO Adho Mukha Shvanasana (Downward Facing Dog Pose)
• Keep the palms firmly sealed into the mat.

Urdhva Baddhanguliyasana (Upward Bound Fingers Pose) in Vajrasana (Thunderbolt Pose)

All Fours INTO Plank Pose INTO Adho Mukha Shvanasana (Downward Facing Dog Pose)
• Keep the palms firmly sealed into the mat.

Bharadwajasana 1 (Bharadwaja’s Pose 1)
• Simple variation without binding the arms.
• Turn the head away from the leading shoulder to stretch out the neck and top chest.

Bharadwajasana 1 (Bharadwaja’s Pose 1)
• Full pose with one arm behind the back. Hold onto the arm with a belt if necessary.
• Turn the head away from the leading shoulder to stretch out the neck and top chest.

All Fours INTO Plank Pose INTO Adho Mukha Shvanasana (Downward Facing Dog Pose)
• Keep the palms firmly sealed into the mat.

Utthita Trikonasana (Extended Triangle Pose)

Parshvottanasana (Intense Side Stretch Pose) with the elbows clasped behind the back
• Flat back and full forward bend.

Parivrtta Trikonasana (Revolved Triangle Pose)

Parivrtta Trikonasana (Revolved Triangle Pose)

All Fours INTO Plank Pose INTO Adho Mukha Shvanasana (Downward Facing Dog Pose)
• Keep the palms firmly sealed into the mat.

Prasarita Padottanasana (Wide Spread Feet Pose) with the arms extended forward

Prasarita Padottanasana (Wide Spread Feet Pose) clasping the elbows behind the back
• Both crossings.

All Fours INTO Plank Pose INTO Adho Mukha Shvanasana (Downward Facing Dog Pose)
• Keep the palms firmly sealed into the mat.

Setu Bandha (Bridge Pose)
• Feet on blocks, holding a belt around the ankles.

Reclined Glute Stretch
• Lie on the back with one ankle on the opposite thigh. Draw the legs in.

Setu Bandha (Bridge Pose)
• Feet on blocks, holding a belt around the ankles.

Jathara Parivartanasana (Belly Turning Pose)
• Passive variation with the knees bent and the whole body resting on the floor.

Viparita Karani (Upside Down Pose)

Shavasana (Corpse Pose)


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Practice Lab

Four Feet Pose
Sometimes when I’m practicing I don’t like to think too much. It can be nice to let the sequence and the poses take over and tell you what you need to be paying attention to in your body as you practice. I had one of those days last week and ended up practicing this sequence. Other than the first Down Dog, Head Stand and Viparita Karani don’t hold the poses for too long, no more than 30 seconds. Though it’s not really a vinyasa sequence, do your best to flow smoothly from pose to pose, adding props minimally where necessary.

The Sequence

Adho Mukha Shvanasana (Downward Facing Dog Pose)

Parshvottanasana (Intense Side Stretch Pose)
• Arms stretched out to the floor.

Parshvottanasana (Intense Side Stretch Pose)
• Elbows clasped behind the back, both crossings.

Adho Mukha Shvanasana (Downward Facing Dog Pose)

Prasarita Padottanasana (Wide Spread Feet Pose)
• Arm stretched out alongside the ears as if in Adho Mukha Shvanasana.

Prasarita Padottanasana (Wide Spread Feet Pose)
• Elbows clasped behind the back, both crossings.

Adho Mukha Shvanasana (Downward Facing Dog Pose)

Adho Mukha Vrkshasana (Hand Stand)

Salamba Shirshasana 1 (Head Stand 1)
• 2 to 3 min.
Baddha Konasana in Shirshasana (Bound Angle Pose in Head Stand)
• 30 to 60 sec.
Upavistha Konasana in Shirshasana (Seated Angle Pose in Head Stand)
• 30 to 60 sec.

Adho Mukha Shvanasana (Downward Facing Dog Pose)

Baddha Konasana (Bound Angle Pose)
Bharadwajasana 1 (Bharadwaja’s Pose 1) to the right
Baddha Konasana (Bound Angle Pose)
Bharadwajasana 1 (Bharadwaja’s Pose 1) to the left

Gomukhasana (Cow Face Pose) right leg on top/left arm on top
Ardha Matsyendrasana 1 (Half Lord of the Fishes Pose) to the right
Gomukhasana (Cow Face Pose) left leg on top/right arm on top
Ardha Matsyendrasana 1 (Half Lord of the Fishes Pose) to the left

Malasana (Garland Pose) with the arms reaching forward
Pashasana (Noose Pose) to the right
Malasana (Garland Pose) with the arms reaching forward
Pashasana (Noose Pose) to the left

Baddha Konasana (Bound Angle Pose) folding forward
Malasana (Garland Pose) clasping the ankles
Marichyasana 1 (Marichi’s Pose 1) with the left leg bent
Baddha Konasana (Bound Angle Pose) folding forward
Malasana (Garland Pose) clasping the ankles
Marichyasana 1 (Marichi’s Pose 1) with the right leg bent

Baddha Konasana (Bound Angle Pose) folding forward
Janu Shirshasana (Head of the Knee Pose) with the left leg bent
Baddha Konasana (Bound Angle Pose) folding forward
Janu Shirshasana (Head of the Knee Pose) with the right leg bent

Bharadwajasana 2 (Bharadwaja’s Pose 2) to the right
Ardha Baddha Padma Pashchimottanasana (Half Bound Lotus Intense West Stretch pose) with the right leg bent
Bharadwajasana 2 (Bharadwaja’s Pose 2) to the left
Ardha Baddha Padma Pashchimottanasana (Half Bound Lotus Intense West Stretch pose) with the left leg bent

Ardha Matsyendrasana 2 (Half Lord of the Fishes 2) with the left leg in Padmasana (Lotus Pose)
Marichyasana 2 (Marichi’s Pose 2) with the left leg in Padmasana (Lotus Pose)
Ardha Matsyendrasana 2 (Half Lord of the Fishes 2) with the right leg in Padmasana (Lotus Pose)
Marichyasana 2 (Marichi’s Pose 2) with the right leg in Padmasana (Lotus Pose)

Adho Mukha Shvanasana (Downward Facing Dog Pose)

Chatushpadasana (Four Feet Pose)
• See the above photo.

Reclined ankle-to-knee glute stretch
• Both sides.

Chatushpadasana (Four Feet Pose)

Supta Padangusthasana 2 (Reclined Big Toe Pose 2)
• Both sides.

Chatushpadasana (Four Feet Pose)

Viparita Karani (Upside Down Pose)
• 5 to 10 min.

Shavasana (Corpse Pose)
• 5 to 10 min.


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Practice Lab

Marichi's pose 1 (Bound Twist Variation)
Pectoralis Major and Latissimus Dorsi have an interesting relationship with each other. Though one is high on the body and in front and the other low and in back, they meet on the upper arm bone deep in the armpit. When working these poses, think of the following actions:
  • Widen the lats and the pecs as evenly as possible. Widen also the palms.
  • Soften and deepen the armpit as you soften and widen the deltoids around the shoulder joint.
  • When twisting to the right, initiate the movement by widening the right deltoid and the left lat. Reverse this when twisting to the left.

The Sequence

Supta Baddha Konasana (Reclined Bound Angle Pose)
• Lie back over a bolster arranged across the back.

Utkatasana (Furious Pose)
• Do the pose with a block between the thighs.
• Set yourself up close to a wall so that you can place your elbows and forearms on the wall without leaning forward any more than you would normally be in the pose.

Adho Mukha Shvanasana (Downward Facing Dog Pose)
• Hands on blocks.

Uttanasana (Intense Stretch Pose) with the feet apart

Parshvottanasana (Intense Side Stretch Pose)
• Do the pose with the elbows clasped behind the back.

Adho Mukha Shvanasana (Downward Facing Dog Pose)
• Hands on blocks.

Bharadwajasana 2 (Bharadwaja’s Pose 2)
• Simple variation with the Padmasana (Lotus Pose) leg in Janu Shirshasana (Head of the Knee Pose) and binding with a belt around the foot and over the Virasana (Hero Pose) thigh.

Parivrtta Trikonasana (Revolved Triangle Pose)

Bharadwajasana 2 (Bharadwaja’s Pose 2)
• Full pose.

Parivrtta Trikonasana (Revolved Triangle Pose)

Adho Mukha Shvanasana (Downward Facing Dog Pose)

Adho Mukha Vrkshasana (Hand Stand)

Adho Mukha Vrkshasana (Hand Stand)
• With the hands on blocks.

Salamba Shirshasana 1 (Head Stand 1)

Adho Mukha Shvanasana (Downward Facing Dog Pose)

Marichyasana 1 (Marichi’s Pose 1)
• Bind the arms in the pose.
• Only twist away from the bent leg, do not go forward into the full pose.

Marichyasana 3 (Marichi’s Pose 3)
• Bind the arms in the pose.

Marichyasana 5 (Marichi’s Pose 5)
• Bind the arms in the pose.
• Only twist away from the bent leg, do not go forward into the full pose.

Marichyasana 3 (Marichi’s Pose 3)
• Bind the arms in the pose.

Setu Bandha (Bridge Pose) over a bolster or a bench

Salamba Sarvangasana (Shoulder Stand) on a chair

Shavasana (Corpse Pose)
• Hold the pose for 10 to 15 minutes.

Ujjayi 4 (Victorious Breath 4) in Shavasana

Ujjayi 8 (Victorious Breath 8) in any comfortable seated pose
• Tennis balls in the armpits to support the arms.

Shavasana (Corpse Pose)
• 5 minutes.


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Intermediate Group Class

Single Leg Side Shoulder Stand
In this practice, focus on releasing and widening the big muscle groups of the back: gluteus maximus, latissimus dorsi and trapezius. Soften and unlace the spine from the back, as we have been doing in previous classes.

In the twisted poses, keep the back body soft and wide and turn from the back ribs. Come into the pose and pause for a moment before activating the twist. Allow the basic shape of the pose to help release the big back muscles. Then when twisting, say, to the right, widen the left back ribs away from the spine and around to the sternum as you widen the right ribs away from the sternum around into the spine, keep the bones and muscles wide and full so as not to pinch along the spine. As you turn, differentiate the upper ribs from the shoulder girdle, so that the twist can happen inside the collarbones, arm bones and shoulder blades.

The Sequence

Utkatasana (Furious Pose) on ropes
• Hold onto rope and hang in the pose to stretch out the back.

Utthita Hasta Padangusthasana 1 (Extended Hand to Big Toe Pose 1) with foot on ledge

Parivrtta Hasta Padangusthasana (Revolved Hand To Big Toe Pose) with foot on ledge

Bharadwajasana 2 (Bharadwaja’s Pose 2)

Adho Mukha Shvanasana (Downward Facing Dog Pose)

Parshvottanasana (Intense Side Stretch Pose)

Parivrtta Trikonasana (Revolved Triangle Pose)

Adho Mukha Shvanasana (Downward Facing Dog Pose)

Salamba Shirshasana 1 (Head Stand 1)
Baddha Konasana (Bound Angle Pose) in Head Stand
Upavishtha Konasana (Seated Angle Pose) in Head Stand
Parivrttaikapada Shirshasana (Revovled Single Leg Head Stand)

Adho Mukha Shvanasana (Downward Facing Dog Pose)

Marichyasana 3 (Marichi’s Pose 3)
• Without binding.

Marichyasana 3 (Marichi’s Pose 3)
• With binding, using a belt if necessary.

Marichyasana 6 (Marichi’s Pose 6)

Marichyasana 3 (Marichi’s Pose 3)
• With binding, using a belt if necessary.

Parshva Bakasana (Side Crow Pose) 3 times each side
• Go lightly into the pose, moving with the breath and without holding for more than a moment.
• Go from side to side quickly and smoothly, only holding the pose the last time on each side.

Adho Mukha Shvanasana (Downward Facing Dog Pose)

Salamba Sarvangasana 1 (Shoulder Stand 1)
Baddha Konasana (Bound Angle Pose) in Shoulder Stand
Upavishtha Konasana (Seated Angle Pose) in Shoulder Stand
Supta Konasana (Reclined Angle Pose)
Parshva Halasana (Side Plough Pose)
Parshva Karnapidasana (Side pressure on the Ear Pose)
Halasana (Plough Pose)

Parshva Halasana (Side Plough Pose) into
Eka Pada Parshva Sarvangasana (Single Leg Side Shoulder Stand) 3 times each side
• Be up on 1 blanket instead of 3. Use a belt for the arms.
• With the legs in Parshva Halasana on the right side of the head, swing the right leg up and across the body into Eka Pada Parshva Sarvangasana on the left side.
• Go lightly into the poses, moving with the breath and without holding for more than a moment.
• Go from side to side quickly and smoothly, only holding the pose the last time on each side.

Pashchimottanasana (Intense West Stretch Pose)
• Support the head with a blanket, block or bolster.

Adho Mukha Shavasana (Downward Facing Corpse Pose) over a bolster

Shavasana (Corpse Pose)


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Level 1 Group Class

Revolved Triangle Pose
Adho Mukha Shvanasana (Downward Facing Dog Pose)

Child’s Pose

Adho Mukha Shvanasana (Downward Facing Dog Pose)

Uttanasana (Intense Stretch Pose)

Adho Mukha Shvanasana (Downward Facing Dog Pose)

Child’s Pose

Floor Stretch Sequence:
• Lying on the back, place the right ankle on the left thigh and draw the left thigh in.
• Roll over onto the left side, place the right foot flat on the floor and turn the thigh so the shin point straight up.
• Hook the right leg around the left, drop the knees all the way over to the left and take a twist.
• Repeat on the second side.

Adho Mukha Shvanasana (Downward Facing Dog Pose)

Parshvottanasana (Intense Side Stretch Pose) flat back only

Prasarita Padottanasana 1 (Widespread Feet Pose 1) flat back only

Parshvottanasana (Intense Side Stretch Pose) arms reaching forward

Parivrtta Trikonasana (Revolved Triangle Pose) 2 times

Adho Mukha Shvanasana (Downward Facing Dog Pose)

Supta Padangusthasana 1 (Reclined Big Toe Pose 1)

Supta Padangusthasana 2 (Reclined Big Toe Pose 2)

Marichyasana 3 (Marichi’s Pose 3)

Gomukhasana (Cow Face Pose)

Ardha Matsyendrasana 1 (Half Lord of the Fishes Pose 1)

Supta Baddha Konasana (Reclined Bound Angle Pose)

Viparita Karani (Upside Down Pose)

Shavasana (Corpse Pose)


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Sequencing

My first Iyengar teacher was extremely creative and unconventional in her approach to sequencing. She has a poetic way of sequencing that is both logical and intuitive, but she very much does not toe the line in terms of the way she sequences a class (bless her), so I never really got the hang of the classic Iyengar sequencing at that stage. Unfortunately, a subsequent disastrous and inadequate teacher training did very little to fill that gap. I have, of late, been studying with Donald Moyer in Berkeley, as regular readers will know. Donald is also extremely innovative and creative, while remaining intuitive and logical in his approach, but in some ways he is very old school when it comes to his sequencing. I've been teaching and practicing in his manner quite a lot lately, and it has been a wonderful exercise in getting inside the classical Iyengar mentality. Sometimes the method gets accused of being dry and repetitive, but there is an elegance to the sequencing. I offer you here my limited understanding of the form.

Here follows a breakdown of the major pose categories and where they fit in the scheme. This first chart is not an actual way of practicing. Think of it as a diagram of a hypothetical sequence including all the different possibilities:

Sequencing1

This would break down into the following practice sequences for each of the four major categories. Obviously there are other types of poses -- arm balances, abdominals and such. Each of these has their own rationale, but think about how you are practicing them. How do they relate to standing poses, to twists, back bends or forward bends? This might give you an idea of where a pose such as Parshva Bakasana (Side Crow Pose) might go.

Sequencing2


Sequencing3


Sequencing4


Sequencing5

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Advanced Twist Practice

Rope Shirshasana (Head Stand on ropes)
Alternate Pose: Supta Baddha Konasana (Reclined Bound Angle Pose)

Utthita Hasta Padangusthasana 2 (Extended Hand and Big Toe Pose 2)
• Leg to the side
• Foot on ledge

Utthita Hasta Padangusthasana 1 (Extended Hand and Big Toe Pose 1)
• Leg to the front
• Foot on ledge

Parivrtta Hasta Padangusthasana (Revolved Hand and Big Toe Pose )
• Foot on ledge

Adho Mukha Shvanasana (Downward Facing Dog Pose)

Utthita Trikonasana (Extended Triangle Pose)

Ardha Chandrasana (Half Moon Pose)

Parivrtta Ardha Chandrasana (Revolved Half Moon Pose)

Parivrtta Trikonasana (Revolved Triangle Pose)

Adho Mukha Vrkshasana (Hand Stand)

Shirshasana (Head Stand)
• Parshva Shirshasana (Revolved Head Stand)
• Parivrttaikapada Parshvakonasana (Single Leg Revolved Head Stand)

Marichyasana 3 (Marichi's Pose 3)

Marichyasana 6 (Marichi's Pose 6)
• Also known as Marichyasana F in the Ashtanga Vinyasa system

Eka Pada Shirshasana (One Leg Behind the Head Pose) Preparation
• Come into Janu Shirshasana (Head of the Knee Pose) with bent leg heel on a block level with the opposite knee

Eka Pada Shirshasana (One Leg Behind the Head Pose)
• Once this is mastered proceed to Marichyasana 8/H

Ardha Matsyensdrasana 1 (Half Lord of the Fishes Pose 1)

Pashasana (Noose Pose)

Parshva Bakasana (Side Crow Pose)

Sarvangasana (Shoulder Stand)

Halasana (Plough Pose)

Shavasana (Corpse Pose)
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